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- <text id=89TT2914>
- <title>
- Nov. 06, 1989: Dynamic Duos Don't Come Cheap
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Nov. 06, 1989 The Big Break
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BUSINESS, Page 71
- Dynamic Duos Don't Come Cheap
- </hdr><body>
- <p>Sony and Warner Bros. wage a billion-dollar personnel war
- </p>
- <p>By Christine Gorman/Reported by Elaine Dutka/Los Angeles
- </p>
- <p> Since a typical feature film is a $20 million roll of the
- dice, Hollywood always wants to improve its odds. That's why
- studios are so willing to pay breathtaking sums to surefire
- stars. Now Hollywood's obsession with the talented few is
- fueling a billion-dollar personnel tug-of-war that pits Warner
- Bros. against Sony for the services of the two hottest movie
- producers to come along since Samuel Goldwyn met Louis B. Mayer.
- </p>
- <p> The oddsbusters are Peter Guber and Jon Peters, whose
- penchant for producing such hits as The Color Purple and Batman
- has brought Warner hundreds of millions of dollars. When Sony
- announced its agreement to pay $3.4 billion in September for
- Columbia Pictures Entertainment, the Japanese firm impressed
- Hollywood with its savvy choice of executives to run the studio:
- Guber and Peters. But there was one major hitch: in March the
- two had signed a five-year contract with Warner, which the
- studio claims was an exclusive arrangement.
- </p>
- <p> Warner Bros., which is controlled by Time Warner, is suing
- Sony, Guber and Peters in Los Angeles Superior Court for $1
- billion, accusing them of breaching the contract. Warner has
- asked the court for a permanent injunction, on which the court
- is expected to rule this week, to prevent Guber and Peters from
- working for any one else. Warner contends that Guber and Peters
- are responsible for more than 50 of the studio's current
- projects, including the film version of Tom Wolfe's Bonfire of
- the Vanities. Sony and the two producers are countersuing for
- $100 million, charging Warner with fraudulently denying that it
- had an oral arrangement to release Guber and Peters from their
- contract and with trying to sabotage Sony's Hollywood ventures.
- </p>
- <p> At the center of this colossal custody fight is the most
- unlikely pair of partners in the film world. Guber, 47, an
- erudite native of Boston, holds a law degree from New York
- University. In 1968, while working on his M.B.A., he landed a
- job in the casting department at Columbia Pictures. Guber
- quickly became chief of production and, by the time he left in
- 1976, his credits included The Way We Were and Shampoo. Peters,
- 44, an Angeleno who spent a year in reform school, broke into
- the movie industry using a hairbrush and a blow dryer. After
- coiffing Barbra Streisand and then moving in with her, the
- hairstyling tycoon produced her 1976 hit movie, A Star Is Born.
- Eventually the talkative Peters produced two other Streisand
- vehicles, The Main Event and What's Up, Doc?, as well as the hit
- comedy Caddyshack.
- </p>
- <p> Guber and Peters joined forces in 1980 to form a
- film-production company. Guber's nose for good script ideas and
- his flair for deal making meshed with Peters' hustle and
- tenacity. After several hits, including Missing and Flashdance,
- the partners signed their first, allegedly exclusive production
- contract with Warner, in 1983.
- </p>
- <p> Six months after they agreed to this year's contract, Sony
- recruited Guber and Peters to head Columbia, designating the
- two as co-chairmen and Guber as chief executive. Under the
- agreement, Columbia would pay them annual salaries of more than
- $2.75 million, plus 2.5% of all company profits in excess of
- $200 million. After five years they would split a $50 million
- bonus pool with no more than five other top executives. The
- sweetest plum of all: Sony agreed to buy their production
- company, Guber-Peters Entertainment, for $200 million,
- considered by some Hollywood insiders to be a premium price.
- </p>
- <p> Just before the deal was announced, Guber asked Warner to
- let the two producers out of their contract. Warner refused. For
- two weeks, executives from both corporations tried to negotiate
- a settlement. Time Warner Co-Chairman Steven Ross reportedly
- demanded that Guber and Peters relinquish all rights to and
- profits from current projects. In addition, Ross asked for a big
- discount on two properties Warner had been trying to buy for
- some time: a stake in Sony's CBS Video and Record Club as well
- as Columbia's ownership in the Burbank lot it now shares with
- Warner Bros. "Ross asked for the moon in the hopes of getting
- half the moon," says an industry analyst. Ross was apparently
- in no mood to give up such valuable assets without extracting
- a high price, especially since the talent raid came so soon
- after Time Inc. had paid $14 billion to acquire Warner
- Communications, the studio's parent company.
- </p>
- <p> The failed negotiations have produced some bitter
- behind-the-scenes finger pointing. An executive who is
- sympathetic to Warner attributes the discord in part to the
- involvement of Walter Yetnikoff, who runs CBS Records for Sony
- and helped woo Guber and Peters. "Reasonableness was made
- impossible by Yetnikoff's belief that he could push people
- around," said the executive. "Warner considers him a boor, a man
- with no manners." On the other side, an executive who favors
- Columbia blames Ross for the wrangle. "No one expected the venom
- of Ross's response," said the insider. "If it was anyone else
- but Sony, he would have let them out ages ago, but Sony is
- frightening to him. It's a company that's trying to become a
- global communications giant."
- </p>
- <p> Most Hollywood dealmakers think a quieter compromise might
- have been reached if Guber and Peters had negotiated a formal
- separation with Warner before the Sony deal went public, which
- would have avoided bruising the egos of Warner's brass. The
- fracas has proved embarrassing as well for Sony, which is trying
- to make a graceful entrance into Hollywood. The two sides may
- yet settle, but if Warner has its way, Sony's entry into the
- film business will cost quite a bit more than the company
- expected.
- </p>
-
- </body></article>
- </text>
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